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- PHILIP GUSTON: HEAD AND BOTTLE , 1975 - Artforum
I FIRST SAW HEAD AND BOTTLE more than a decade ago, at Amsterdam’s Stedelijk Museum, in a show of paintings done by Philip Guston in the last years of his life, 1969 to 1980 It was work I was immediately at home with By this time Guston had stripped his vocabulary down to a few sturdy basics—soles of boots, bodies of water, planks, pipes
- Major Philip Guston Exhibition Pushed to 2024 Over KKK . . . - Artforum
“Philip Guston Now” was set to include twenty-five drawings and paintings featuring KKK characters, a motif that helped define Guston’s return to figuration, a period that saw the artist delve into themes of evil and American identity
- Philip Guston - Artforum
PHILIP GUSTON’S CAREER swung like a dangling lightbulb #—from figuration (starting in 1930) to abstraction (around 1948) and back to figuration (from 1968 until his death in 1980) Yet he often insisted on the continuity of his work In 1958, when asked about the “change in approach” in the late ’40s, he remarked, “I really don’t believe in change ” In 1979, a year of
- Gust, Gusto, Guston - Artforum
In the fall of 1941, Philip and Musa moved to Iowa City, where Guston had accepted the position of visiting artist at the University of Iowa (where Grant Wood had recently taught) The dropout turned pedagogue, energetically immersing his students in Picasso, Piero della Francesca, and de Chirico #—quite a switch from the narrow philosophies of the BentonWood-Curry regionalists As Guston
- Ugly Feelings - Artforum
Philip Guston with The Studio, 1969, Woodstock, NY, 1969 Photo: Frank Lloyd Photo: Frank Lloyd For Guston and for many artists who have revered these paintings since, his return to figuration—and the clowning Klanners who brought it into being—was an act of defiance against aesthetic doxa; the sophisticated insouciance of the artist’s late works has long served as the epitome of
- Philip Guston - Artforum
Philip Guston, Sarasota, FL, 1967 THIS PAST SEPTEMBER, the directors of four institutions #—the National Gallery of Art, Washington, DC; Tate Modern, London; the Museum of Fine Arts, Boston; and the Museum of Fine Arts, Houston #—issued an unprecedented statement postponing “Philip Guston Now,” a major traveling retrospective that had been years in the making
- TELLING TALES: PHILIP GUSTON IN RETROSPECT
In the same vein, Rothko spoke for his colleagues in nominating Guston as his anti-type: “Philip, you are the best storyteller around, and I am the best organ player ” That is, whereas Abstract Expressionism still aspired in true Romantic fashion to the ineffability of music, Guston liked his texts The consequences were appropriately double-edged He tended to wax poetic when others
- Philip Guston - Artforum
That’s why “Philip Guston: Laughter in the Dark, Drawings from 1971 1975”—which was curated by Sally Radic of the Guston Foundation, and Musa Mayer, Guston’s daughter, and followed by a little more than six months Hauser Wirth’s equally extraordinary and very different exhibition of abstract works, “Philip Guston: Painter, 1957–1967”—was probably the timeliest
- Guston, Whiteness, and the Unfinished Business of the Vile World - Artforum
I spend the rest of that day in the school library looking at everything I can dig up on Philip Guston I look at all of the work I can find I learn about his trajectory, his work as a muralist, his time in the WPA, his success as an abstract painter, his struggle, his loss of confidence, his return to figuration I read the reviews of the 1970 Marlborough Gallery, New York, show that included
- Restored Guston Mural Unveiled in Mexico - artforum. com
A 1,000-square-foot mural painted by Philip Guston and Reuben Kadish when both artists were just twenty-one has been restored to its former glory and was revealed to the public on January 31 in Mexico
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