- Maurice Merleau-Ponty (Stanford Encyclopedia of Philosophy)
In a long extract from the manuscript that was revised and published in 1952 as “Indirect Language and the Voices of Silence” (in Merleau-Ponty 1960 1964), Merleau-Ponty brings this understanding of language into conversation with Sartre’s What is Literature? and André Malraux’s The Voices of Silence
- Maurice Merleau-Ponty - Stanford Encyclopedia of Philosophy
Merleau-Ponty: Notes de cours sur "L'Origine be la Geometrie de Husserl" suivi de Recherches sur la Phenomenologie de Merleau-Ponty, Presses Universitaires de France, 1998 Résumés de Cours: La Sorbonne, 1949-1952 , Paris: Cynara, 1998
- Maurice Merleau-Ponty - Stanford Encyclopedia of Philosophy
Important recent studies on Merleau-Ponty’s general theory of expression and its application to literature and the arts include Carbone 2015, Kaushik 2013, Landes 2013, Wiskus 2013, Johnson 2010 Johnson 1993 collects significant classic essays on these themes 6
- Maurice Merleau-Ponty - Stanford Encyclopedia of Philosophy
The introduction to La Nature ou le monde du silence was published as Merleau-Ponty 2008
- Phenomenology (Stanford Encyclopedia of Philosophy)
In Phenomenology of Perception (1945) Merleau-Ponty developed a rich variety of phenomenology emphasizing the role of the body in human experience Unlike Husserl, Heidegger, and Sartre, Merleau-Ponty looked to experimental psychology, analyzing the reported experience of amputees who felt sensations in a phantom limb
- (Stanford Encyclopedia of Philosophy Summer 2009 Edition)
“Merleau-Ponty and Benjamin: Language Loss Restoration,” Etudes Phenomenologie, Special Issue on the Philosphy of Merleau-Ponty 31-32, 2000 “From Bad Infinity to Hyper-Reflection ” In Portraits of American Continental Philosophers , ed James R Watson
- Existentialist Aesthetics - Stanford Encyclopedia of Philosophy
For reasons of space, however, this entry is restricted to 20 th century thinkers who at one point or another accepted the tag “existentialist” as an accurate characterisation of their thinking, and who have made the most significant contributions to aesthetics: Albert Camus, Simone de Beauvoir, Gabriel Marcel, Maurice Merleau-Ponty and
- Embodied Cognition - Stanford Encyclopedia of Philosophy
Some variations of embodied cognition are inspired by the works of phenomenologists like Martin Heidegger (1975), Edmund Husserl (1929), and Maurice Merleau-Ponty (1962) who emphasize the physical embodiment of our conscious cognitive experiences
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